Thru-You: Kutiman, the YouTube Maestro
I'm in awe. I'm awestruck. I've visited the land of awesome.
There is so much great stuff on the Internet that you might despair of all that you will never see. But then there are the gems you find.
For example: Thru-You.
Kutiman, according to Wikipedia, is an Israeli musician, composer, producer, and animator. And he has made something wonderful for which I'm very grateful.
This is the first of a collection of songs that Kutiman created by mixing together clips of people singing and playing instruments on YouTube:
Kutiman, Mother of All Funk Chords
The artistry in weaving together these songs out of the cacophony of YouTube is extraordinary. The song above credits and links to 22 different videos. It's interesting to look at the source videos. They range from mundane to very good on their own, and I just can't get over Kutiman's creativity in making something so beautiful from them. The audio and visual presentation is stunning. How do you find and piece all that together in a coherent way?
I missed this one at first. I seem to remember passing over something about it one day when skimming through my feeds, but I got another chance when Crosbie Fitch posted Art Outlaws Without Lawful Reward.
Mike Masnick at techdirt (linked above) and Crosbie both have good commentary (as usual) about the copyright implications. For me it's yet another example of why artists must be free to do this kind of work. Kutiman is an amazing artist. The thought that he could be prevented from making these songs, or that they could be forced down because of claims by the "rights holders," is intolerable. Okay: maybe not intolerable, but it is awful that our current copyright law puts this kind of expression at risk.
The individual contributors to this art are conscientiously credited at the Thru-You website and on the YouTube pages, and I think that's all that is called for. They uploaded their bits to YouTube, where a brilliant creative mind found and collected their work to create something new. Something exciting. Internet-enabled synthesis, art born out of the multitude expressing themselves and sharing with the world. I want to see and be inspired by more like this, and read less about the hindrance of copyright.
I urge you to check out these songs, and to explore some of the source material. Like this unassuming snippet of trombone playing:
Estudo em Fa Maior - Thiago Soares - Trombone
Which takes on a haunting significance in Thru-You #2:
Kutiman, This Is What It Became
I enjoyed reading (and contributing) some of the comments on the source videos from people who discovered them through Kutiman's remixes. What I've seen so far has been complimentary. It's neat that the videos have taken on a new life. I hope that the individual performers are enjoying the attention brought on by their unexpected participation in such a fun project.
by Scott Carpenter on 8 March 2009 at 8:14 pm
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comments (3) | filed under free culture
tagged: copyright, kutiman, music, remix, videos, youtube
Comments
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What I think is blindly skipped over in the praise of remix art, even if it can introduce us to the works that a new one is made out of, is that we don't even have the liberty to directly introduce each other to an artist's works (unless we obtain permission or purchase retail copies - that we could otherwise make ourselves had our liberty to do so not been suspended).
Some people have a strange notion that one should legalise remix, but should still not legalise sharing.
Even our use of YouTube embedding is a perverse consequence of not being able to introduce our audiences to the art we'd recommend by sharing (giving them copies). We have to rely upon a central server (with distributed cache/satellite servers) to distribute ephemeral copies via 'streaming' that we each link to. It is perverse that the law warps technology rather than that it simply evolves toward efficiency. All because the punter must not be allowed to get their grubby little hands on a copy - unless they've obtained it via authorised channels. We are building the inefficiencies of the printing press and physical distribution of paper into the Internet, while more efficient designs (p2p) are hunted down and destroyed.
Posted by Crosbie Fitch on 9 March 2009 at 3:45 am
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Fortunately, as well as artists who will create art illegally (though still ethically), and those of us who will point out the deficiencies in the law that make such ethical art and artists illegal, there are ethical outlaws that will remedy these deficiencies.
See thru-you.org as someone's attempt to provide a backup resource - should Kutiman end up on the wrong end of one of the cartel's 'counter measures' against such cultural insurgents.
Posted by Crosbie Fitch on 9 March 2009 at 6:54 am
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